Fixed-lens medium format · 2025

GFX100RF, taken apart.

Spin a 3D GFX100RF, tap any dial or button to learn what it does, then take it apart to see what is inside. Each control comes with one way to use it better.

102MP GFX sensor35mm f/4 · 28mm eq.Aspect ratio dialDigital teleconverter to 63mm eq.4-stop ND · 735 g

3D explorer

Turn it over in your hands

Drag to rotate, scroll or pinch to zoom. Tap a numbered point to learn what it does, or take the camera apart to see what's inside.

Drag to rotate

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ControlsProduct images: Fujifilm.

Gear I recommend

What I put on my GFX100RF

The accessories I'd buy again. Links open Amazon in your country.

Hood & grip

Hood + grip kitGFX100RF

Freewell GFX100RF Real Lens Hood & L Bracket Grip Kit

A metal hood that fits the GFX100RF lens, plus an L bracket that adds a deeper grip and an Arca-Swiss plate for tripods.

Half caseGFX100RF

SmallRig leather half case kit for GFX100RF

A leather half case that protects the base and sides and adds grip, with the battery door still reachable.

CageGFX100RF

Tilta Vintage Camera Cage for GFX100RF

A slim cage with a grip and mounting points for a mic, light or monitor when you shoot video.

Affiliate links: I may earn a commission if you buy through them, at no extra cost to you.

Menu simulator

A working copy of the GFX100RF menu, laid out like the owner's manual: every tab, page and item. Click an item, or hover the simulator and use your arrow keys. A working copy of the GFX100RF menus, laid out like the owner's manual. There is no mode dial: the shutter speed dial and the aperture ring on the lens set the exposure mode. Press DRIVE for drive modes, including MOVIE, which switches to the movie menus. Each item explains what it does and what to set it to.

BACK EXIT

Keyboard: arrows · Enter = MENU/OK · Backspace = DISP/BACK · Q · D = DRIVE

Film recipes

Saved in your custom banks

Select a bank in IMAGE QUALITY SETTING › SELECT CUSTOM SETTING, or from the first Q menu tile.

Want your own recipes in here? Save them in the Recipe Lab, where you can preview them on real photos first.

Day-one setup

21 settings worth changing

0 of 21 done

Menu names and descriptions follow the official GFX100RF owner's manual. Starting values in the simulator are typical defaults and may differ from your camera. Recommendations are mine.

Mode finder

There's no mode dial

The GFX100RF picks its exposure mode from where the aperture ring and shutter dial sit, like a film camera. Set them here to see which mode you're in.

Aperture ring

Shutter speed dial

Watch

GFX100RF on my channel

Reviews, video settings, accessories and trips, all shot with or about the GFX100RF.

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Shorts

FUJIFILM GFX100RF vs X100VI

The best aspect ratio for cinematic photos!

Fujifilm GFX100RF manual, in plain English

Every button, dial and menu setting on the GFX100RF, what it does, and what I'd set it to. The same notes as the 3D camera and menu simulator above, in one place you can search with Ctrl+F.

Buttons, dials and ports (33)

Front

Digital tele-converter selector: A small lever at the top of the front dial column. Flick it left or right to step the digital teleconverter: off (28mm equivalent), then 36, 50 and 63mm. The screen zooms to match. Tip: At 102MP even the 63mm crop leaves about 19MP, so think of it as a free second and third lens.
Front command dial: A vertical dial under your index finger. It sets aperture, shutter speed or other values depending on how the top dials are set, and you can choose its job with the Fn2 button. Tip: Assign ASPECT RATIO to it and set the aspect ratio dial to C to switch formats without looking.
Control lever and Fn2 button: Pull the lever toward the lens to swap between the viewfinder and the screen (hold to change what the control ring does); pull it toward the grip to change how the area outside a crop is shown (hold for the ND filter). The button in the middle is Fn2, which picks the front dial’s job. Tip: SEMI-TRANSPARENT crop view lets you see what is about to walk into frame, rangefinder style.
AF-assist lamp: Lights to help autofocus in the dark, blinks for the self-timer and can act as a tally light while recording video. Tip: Turn it off in the AF menu for concerts and quiet events.
FUJINON GF 35mm f/4: The fixed lens: 35mm on the large sensor gives a 28mm-equivalent view. It has a leaf shutter inside and a built-in 4-stop ND filter, and focuses down to about 20cm. Tip: f/4 on medium format blurs backgrounds about as much as f/3.2 on full frame.
Front ring: The trim ring at the front of the lens comes off so the supplied adapter ring and protective filter can go on. With both fitted the camera is dust and drip resistant. Tip: Fit the adapter ring and filter before shooting in rain or dust.

Top

Aperture ring: Sets the aperture from f/4 to f/22 in third stops, with two small tabs to grip. The red A hands aperture to the camera. Tip: f/8 to f/11 keeps a landscape sharp front to back; diffraction softens 102MP files past f/11.
Control ring: The wide knurled ring. It can change white balance or film simulation while you shoot, and it focuses the lens when the focus mode selector is on M. Tip: Set it to FILM SIMULATION to switch looks with your eye at the viewfinder.
Hot shoe: Takes an external flash or accessory with TTL control. The leaf shutter syncs flash at any shutter speed. Tip: Daylight fill flash at 1/2000s with the ND filter on keeps a bright sky.
Microphone: The built-in stereo microphone for video. A 3.5mm mic jack is on the side for better sound. Tip: Plug in an external mic for any video where the sound matters.
Shutter speed dial: Sets shutter speed from 1/4000s to 1s in full stops. A lets the camera choose, T unlocks the rear dial for in-between and long speeds, and B is bulb. Tip: Shutter on A and a number on the aperture ring gives you aperture priority.
ISO dial: Built into the shutter speed dial: lift the outer ring and turn it, and the value shows in the small window. A is Auto ISO; C hands ISO to the front command dial. Tip: Many owners leave it on C and roll ISO with the front dial.
Exposure compensation dial: Brightens or darkens the picture by up to 3 stops (5 on C, using a command dial). Works in every mode except full manual. Tip: Medium format holds highlights well, but -1/3 in bright sun still protects skies.
Shutter button: Half-press to focus and meter, press fully to shoot. Threaded for a soft release or a cable release. Tip: A soft release button gives the short travel a more defined feel.
ON/OFF switch: The collar around the shutter button turns the camera on and off. Tip: Switch off between scenes: the big sensor and viewfinder use power quickly.
Fn1 button: A customizable button beside the shutter. Tip: Put something you change often here, such as the ND filter or face detection.

Back

Aspect ratio dial: A dial unique to this camera: pick from nine aspect ratios (4:3, 3:2, 16:9, 65:24, 17:6, 3:4, 1:1, 7:6, 5:4), or C to choose with a command dial. The viewfinder masks the rest of the frame. Tip: 65:24 is the classic panoramic film ratio; 1:1 and 7:6 echo medium-format film cameras.
Focus mode selector: A small lever on the back: single AF (S), continuous AF (C) or manual focus (M). In M the control ring focuses the lens. Tip: Use C for people walking toward you; in M, press the rear dial to magnify and check focus.
Electronic viewfinder: A 5.76-million-dot OLED viewfinder at the corner of the body, with an eye sensor that switches between it and the screen automatically. Tip: BOOST · EVF FRAME RATE PRIORITY makes it smoother for moving subjects.
Diopter wheel: Adjusts the viewfinder to your eyesight, from -5 to +3. Tip: Turn it until the on-screen text is sharp, not the scene.
AEL/AFL: Locks exposure and/or focus while you hold it. It can be reassigned, most often to AF-ON. Tip: Set it to AF-ON for back-button focus.
Rear command dial: Sets values in the Q menu, shutter speed in T, scrolls menus and photos. Press it to magnify for focus checking. Tip: Hold its center to cycle MF assist options.
Q button: Opens the Quick menu: 16 settings you can change without the full menu. Tip: Press and hold Q to choose what is in it.
Indicator lamp: Shows camera status: focus lock, card writing, errors and upload progress. Tip: Blinking while the camera is off means it is uploading to your phone.
Focus stick: Moves the focus point and navigates menus. Press it to jump the point back. Tip: Hold its center to choose how it behaves.
MENU/OK: Opens the menus and confirms choices. Tip: Add your most-used items to MY MENU.
DISP/BACK: Changes what the screen shows and steps back out of menus. Tip: Press it while the Q menu is open in movie mode to see all movie settings.
PLAY: Shows your pictures and movies. Tip: Press the rear dial in playback to zoom straight to the focus point.
DRIVE/DELETE: Opens the drive modes: single frame, bursts, bracketing, multiple exposure and MOVIE. In playback it deletes. Tip: MOVIE lives here: there is no separate video switch.
Tilting touchscreen: A 3.15-inch, 2.1-million-dot screen that tilts up and down. Tap to focus or shoot. Tip: Shooting from the waist with the screen tilted up is quieter and less obvious on the street.

Sides

Connector cover: Behind the door on the viewfinder side: 3.5mm microphone/remote jack, 3.5mm headphone jack, USB-C (10Gbps, charging, SSD recording, webcam) and micro HDMI. Tip: ProRes records only to an SSD on the USB-C port.
Card slot door: Two SD (UHS-II) slots on the grip side: record to one then the other, to both as a backup, or RAW to one and JPEG to the other. Tip: Use UHS-II cards: 102MP bursts clear far faster.
Battery door: Holds the NP-W235, the same battery as the X-T5 and GFX100 II, good for about 820 shots on the screen. It charges in the camera over USB-C. Tip: Carry a spare for a full day of shooting.

Every menu setting (264)

IMAGE QUALITY SETTING

IMAGE SIZE: Picture size. The aspect ratio comes from the aspect ratio dial: L is the full 102MP (11648 × 8736 at 4:3), M is about 51MP (8256 × 6192), S about 12MP (4000 × 3000). The digital teleconverter switches back to L. Recommended: L. Tip: Keep L. At 102MP you can crop hard later and still print big.
IMAGE QUALITY: File format and compression. SUPER FINE compresses JPEG/HEIF the least; the +RAW options also save a RAW file. Recommended: FINE+RAW. Tip: FINE+RAW while you learn; SUPER FINE if you print straight from the JPEG.
RAW RECORDING: Whether RAW files are compressed (lossless keeps all data at about 30–90% of the size; COMPRESSED is lossy at 25–40%), and OUTPUT DEPTH: 16-bit RAW in single-frame mode, or 14-bit. Recommended: LOSSLESS COMPRESSED. Tip: Lossless compressed: a 102MP uncompressed RAW is over 200MB.
SELECT JPEG/HEIF: Records pictures as JPEG or HEIF. HEIF disables CLARITY and forces sRGB. Recommended: JPEG.
FILM SIMULATION: Simulates Fujifilm film stocks, including the new REALA ACE and black-and-white ACROS and MONOCHROME with yellow, red or green filters. Recommended: CLASSIC CHROME. Tip: CLASSIC CHROME for muted, documentary color, or REALA ACE for true-to-life color. Assign Film Simulation to the control ring to switch on the fly.
MONOCHROMATIC COLOR: Tints ACROS and MONOCHROME pictures on two axes, warm–cool and green–magenta, from -18 to +18. Tip: WC +2 on ACROS gives a classic warm print look.
MONOCHROMATIC COLOR › WARM–COOL: Positive values add a warm (reddish) tone, negative a cool (bluish) one.
MONOCHROMATIC COLOR › GREEN–MAGENTA: Positive values shift toward magenta, negative toward green.
GRAIN EFFECT: Adds film grain. Set roughness and size separately. Recommended: WEAK · SMALL. Tip: Weak, small grain adds texture without looking like noise. Strong, large grain suits black-and-white street work.
GRAIN EFFECT › ROUGHNESS: How strong the grain is.
GRAIN EFFECT › SIZE: How coarse the grain is.
COLOR CHROME EFFECT: Adds tonal depth to highly saturated reds, yellows and greens. Recommended: WEAK.
COLOR CHROME FX BLUE: Adds tonal depth to blues. Recommended: WEAK. Tip: Deepens skies and water.
SMOOTH SKIN EFFECT: Smooths complexions. Tip: Leave it off unless you deliver portraits straight out of camera.
DYNAMIC RANGE: Protects highlight detail. 200% needs ISO 160 or higher, 400% needs ISO 320 or higher. Recommended: 200%. Tip: Set your Auto ISO default to 250 so DR200 is always available.
D RANGE PRIORITY: Lifts shadows and protects highlights together. Anything but OFF takes over TONE CURVE and DYNAMIC RANGE. Tip: Keep OFF when using film recipes.
WHITE BALANCE: Matches color to the light. After picking an option, a fine-tune screen lets you shift it toward red or blue with the focus stick (−9 to +9 on each axis). Recommended: AUTO. Tip: Many film recipes use AUTO plus a fine-tune shift such as R+2 B-4.
TONE CURVE: Adjusts highlights and shadows separately, from -2 to +4. Tip: Shadows +1 adds punch; highlights -1 softens bright skies.
TONE CURVE › HIGHLIGHTS: Harder (+) or softer (−) highlights.
TONE CURVE › SHADOWS: Harder (+) or softer (−) shadows.
COLOR: Color density, -4 to +4.
SHARPNESS: Sharpens or softens outlines. Tip: -1 or -2 gives a more film-like look.
HIGH ISO NR: Noise reduction at high ISO. Higher values smooth more and lose detail. Recommended: -4.
CLARITY: Mid-tone definition, -5 to +5. Any value except 0 slows saving. Tip: Leave at 0 for bursts.
LONG EXPOSURE NR: Reduces mottling in long exposures, at the cost of longer save times.
COLOR SPACE: sRGB for most uses; Adobe RGB for commercial printing. Recommended: sRGB.
PIXEL MAPPING: Fixes bright spots in pictures or movies. Charge the battery first; it can take several tens of seconds.
SELECT CUSTOM SETTING: Recalls one of seven saved banks (C1–C7). This is how you switch film recipes.
EDIT/SAVE CUSTOM SETTING: Saves current settings to C1–C7, edits banks item by item, copies, erases or renames them. Tip: Rename banks after the recipe so you can tell them apart.
AUTO UPDATE CUSTOM SETTING: Whether changes made while a bank is active are saved into it automatically. Recommended: DISABLE. Tip: DISABLE stops quick tweaks from changing your saved recipes.

AF/MF SETTING

FOCUS AREA: Positions and sizes the focus frame for AF, MF and focus zoom.
AF MODE: How the camera picks the focus area in focus modes S and C. Recommended: SINGLE POINT. Tip: Switch to WIDE/TRACKING with focus mode C for moving people.
ZONE CUSTOM SETTING: Creates up to three custom zone shapes for ZONE AF.
AF MODE ALL SETTING: Limits which focus areas ALL cycles through, separately for AF-S and AF-C.
AF MODE ALL SETTING › AF-S: Focus areas cycled when AF MODE is ALL in focus mode S.
AF MODE ALL SETTING › AF-C: Focus areas cycled when AF MODE is ALL in focus mode C.
AF-C CUSTOM SETTINGS: Tracking presets for continuous AF. Set 6 lets you tune tracking sensitivity, speed tracking sensitivity and zone area switching. Tip: Set 1 handles most situations; Set 2 helps when people pass in front of your subject.
STORE AF MODE BY ORIENTATION: Remembers a separate focus point, and optionally AF mode, for vertical and horizontal shooting.
AF POINT DISPLAY: Shows individual focus frames in ZONE and WIDE/TRACKING.
WRAP FOCUS POINT: Lets the focus point wrap from one edge of the frame to the other.
NUMBER OF FOCUS POINTS: How many points you can pick from in single point AF and MF. Recommended: 117 POINTS (9 × 13). Tip: Fewer pushes of the focus stick to cross the frame.
PRE-AF: Keeps focusing even when the shutter button is not pressed. Faster, but drains the battery. Recommended: OFF.
AF ILLUMINATOR: Lights the AF-assist lamp in dim light. Tip: Turn OFF for discreet street or event work.
FACE/EYE DETECTION SETTING: Prioritizes faces, and optionally eyes, for focus and exposure. Turning it on switches subject detection OFF. Recommended: FACE DETECTION ON. Tip: Choose EYE AUTO for people.
SUBJECT DETECTION SETTING: Detects and tracks animals, birds, cars, motorcycles and bikes, airplanes or trains. Turning it on switches face detection OFF.
AF+MF: After focus locks, turn the focus ring to fine-tune manually. Tip: Great for close-ups at f/4.
MF ASSIST: Focus aid in manual focus: split image, microprism, or peaking in a color and level you choose. Recommended: FOCUS PEAK HIGHLIGHT.
INTERLOCK MF ASSIST & FOCUS RING: Shows MF ASSIST only while the focus ring is being turned.
FOCUS CHECK: Zooms in on the focus area when you turn the ring in MF. Press the rear command dial to cancel. Recommended: ON.
INTERLOCK SPOT AE & FOCUS AREA: With SPOT (or MULTI) metering, meters the current focus frame. Recommended: ON.
INSTANT AF SETTING: Whether an AF-L or AF-ON button focuses once or continuously in MF.
DEPTH-OF-FIELD SCALE: Basis for the depth-of-field scale: screen viewing or prints. Tip: FILM FORMAT BASIS gives practical zone-focus distances.
RELEASE/FOCUS PRIORITY: Whether the shutter fires before focus is confirmed, separately for AF-S and AF-C.
RELEASE/FOCUS PRIORITY › AF-S: Shutter fires only when in focus (FOCUS) or straight away (RELEASE) in AF-S.
RELEASE/FOCUS PRIORITY › AF-C: Same choice for AF-C.
AF RANGE LIMITER: Limits focus to a distance range for faster AF.
TOUCH SCREEN MODE: What tapping the screen does: shoot, focus, or move the focus area. Recommended: AREA. Tip: AREA moves focus without firing, so no accidental shots.

SHOOTING SETTING

SELF-TIMER: Delays the shutter by 2 or 10 seconds. It turns off when the camera turns off. Tip: 2 SEC removes shake from pressing the button.
SAVE SELF-TIMER SETTING: Keeps the self-timer setting after the camera turns off.
SELF-TIMER LAMP: Lights the front lamp during the countdown.
INTERVAL TIMER SHOOTING: Takes photos automatically at a set interval, for time-lapses. Use a tripod and check the battery first. Tip: 10 SEC × 300 shots makes a smooth 10-second time-lapse at 30fps.
INTERVAL TIMER SHOOTING › TIMER: Use the camera's own timer, or a remote release with its own timer.
INTERVAL TIMER SHOOTING › INTERVAL: Time between shots. On the camera you set any value with the focus stick; these are common choices.
INTERVAL TIMER SHOOTING › NUMBER OF SHOTS: How many pictures to take. ∞ keeps going until you stop it.
INTERVAL TIMER SHOOTING › START: When shooting begins. On the camera you set the delay with the focus stick.
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING: Smooths exposure between interval shots. Tip: Turn ON for sunsets.
INTERVAL PRIORITY MODE: Keeps exposures shorter than the interval when shutter speed is on A.
AE BKT SETTING: Settings for exposure bracketing (BKT in the drive menu).
AE BKT SETTING › FRAMES/STEP SETTING: Number of shots and exposure step.
AE BKT SETTING › 1 FRAME/CONTINUOUS: One shot per press, or the whole sequence in one burst.
AE BKT SETTING › SEQUENCE SETTING: Order of the bracketed shots.
FILM SIMULATION BKT: The three film simulations recorded each time you press the shutter in FILM SIMULATION BKT drive mode. Tip: PROVIA, CLASSIC CHROME and ACROS compare three looks from one press.
FILM SIMULATION BKT › FILM 1: First film simulation saved by FILM SIMULATION BKT.
FILM SIMULATION BKT › FILM 2: Second film simulation.
FILM SIMULATION BKT › FILM 3: Third film simulation.
FOCUS BKT SETTING: AUTO: focus on the nearest and farthest points and the camera works out frames and steps. MANUAL: choose frames, step and interval.
PHOTOMETRY: How the camera meters. Only applies when face and subject detection are OFF. SPOT meters 2% of the frame. Recommended: MULTI.
SHUTTER TYPE: The leaf shutter in the lens is near silent and syncs flash at every speed; it reaches 1/2000s at f/4 and 1/4000s from f/8. The electronic shutter is silent and goes to 1/16000s, but limits ISO to 80–12800 and turns the flash off. Recommended: MECHANICAL + ELECTRONIC. Tip: MECHANICAL + ELECTRONIC switches to electronic only when f/4 in bright light needs it, or use the ND filter.
FLICKER REDUCTION: Reduces flicker under fluorescent and similar lights. Slows recording.
FLICKERLESS S.S. SETTING: Allows fine shutter speed steps in S and M to match flickering LED lights.
ISO AUTO SETTING: Three Auto ISO presets, each with a default ISO, maximum ISO and minimum shutter speed. Factory settings: AUTO1 80–800, AUTO2 80–3200, AUTO3 80–12800, all with minimum shutter AUTO. Tip: Try AUTO1 at default 250, max 6400 (so DR200 always works) and AUTO2 with min 1/250 for moving people.
ISO AUTO SETTING › AUTO1: One of three Auto ISO presets used when the ISO dial is on A. Factory setting: ISO 80 to 800, minimum shutter AUTO.
ISO AUTO SETTING › AUTO1 › DEFAULT SENSITIVITY: The ISO the camera starts from. It only raises ISO when the shutter speed would otherwise fall below the minimum.
ISO AUTO SETTING › AUTO1 › MAX. SENSITIVITY: The highest ISO Auto ISO is allowed to use (400–12800).
ISO AUTO SETTING › AUTO1 › MIN. SHUTTER SPEED: The slowest shutter speed before ISO goes up. AUTO picks one based on focal length.
ISO AUTO SETTING › AUTO2: One of three Auto ISO presets used when the ISO dial is on A. Factory setting: ISO 80 to 1600, minimum shutter AUTO.
ISO AUTO SETTING › AUTO2 › DEFAULT SENSITIVITY: The ISO the camera starts from. It only raises ISO when the shutter speed would otherwise fall below the minimum.
ISO AUTO SETTING › AUTO2 › MAX. SENSITIVITY: The highest ISO Auto ISO is allowed to use (400–12800).
ISO AUTO SETTING › AUTO2 › MIN. SHUTTER SPEED: The slowest shutter speed before ISO goes up. AUTO picks one based on focal length.
ISO AUTO SETTING › AUTO3: One of three Auto ISO presets used when the ISO dial is on A. Factory setting: ISO 80 to 3200, minimum shutter AUTO.
ISO AUTO SETTING › AUTO3 › DEFAULT SENSITIVITY: The ISO the camera starts from. It only raises ISO when the shutter speed would otherwise fall below the minimum.
ISO AUTO SETTING › AUTO3 › MAX. SENSITIVITY: The highest ISO Auto ISO is allowed to use (400–12800).
ISO AUTO SETTING › AUTO3 › MIN. SHUTTER SPEED: The slowest shutter speed before ISO goes up. AUTO picks one based on focal length.
DIGITAL TELE-CONV.: Crops the 35mm lens (28mm equivalent) to a 36, 50 or 63mm-equivalent view (1.3×, 1.8× or 2.3×). Also on the selector lever around the shutter button side of the lens. The crop always records at size L. Tip: At 102MP even the 63mm crop leaves about 19MP, more than many cameras record.
ND FILTER: Built-in 4-stop ND filter, for f/4 or slow shutter speeds in bright light. Works for movies too. Pull and hold the control lever toward the grip to toggle it. Tip: Silky water at 1/4s on a bright day, or flash fill at f/4 in sunlight.

FLASH SETTING

FLASH FUNCTION SETTING: Flash control mode, flash mode, sync mode and flash level. TTL modes are FLASH AUTO, STANDARD and SLOW SYNC.; sync is 1ST or 2ND CURTAIN. Tip: Flash compensation around -1 gives subtle daylight fill.
RED EYE REMOVAL: Pre-flash red-eye reduction, in TTL mode.
TTL-LOCK MODE: Locks flash output for consistent results. Assign TTL-LOCK to a button to use it.
LED LIGHT SETTING: How a compatible shoe-mounted flash uses its LED video light.
COMMANDER SETTING: Groups for Fujifilm optical wireless flash control.
CH SETTING: Channel used between commander and remote flashes.

SET UP

USER SETTING

FORMAT: Erases everything on the card, including protected pictures. Shortcut: hold DRIVE/DELETE and press the rear command dial.
AREA SETTING: Time zone and daylight saving time.
AREA SETTING › DAYLIGHT SAVINGS: Daylight saving time on or off.
DATE/TIME: Sets the camera clock.
TIME DIFFERENCE: Switches the clock between your home time zone and a local one when travelling. Tip: Set LOCAL before a trip so photo times match where you are.
言語/LANG.: Chooses the menu language.
MY MENU SETTING: Chooses the items in the photo MY MENU tab. Tip: Put FORMAT, SHUTTER TYPE, IS MODE and ISO AUTO SETTING here.
MY MENU SETTING: Chooses the items in the photo MY MENU tab. Tip: Put FORMAT, SHUTTER TYPE, IS MODE and ISO AUTO SETTING here.
SHUTTER COUNT: Approximate number of shutter releases.
BATTERY AGE: Shows how worn the battery is, from 0 (new) to 4. Older batteries run down faster.
FIRMWARE UPDATE: Updates firmware from a memory card.
RESET: Resets menus to their defaults.
RESET › STILL MENU RESET: Resets photo menus (except custom white balance and custom banks).
RESET › MOVIE MENU RESET: Resets movie menus.
RESET › SET-UP RESET: Resets setup menus except date, time, area and copyright.
RESET › INITIALIZE: Resets everything except custom white balance.
SUPPORT WEBSITE: Shows a QR code for the X-M5 support site.
REGULATORY: Shows certifications.

SOUND SETTING

AF BEEP VOL.: Volume of the focus beep. Recommended: MUTE.
SELF-TIMER BEEP VOL.: Volume of the self-timer beep.
OPERATION VOL.: Volume of control sounds. Recommended: MUTE.
REC START/STOP VOLUME: Volume at the start and end of movie recording.
ELECTRONIC SHUTTER VOLUME: Printed in the manual with the mechanical-shutter icon: volume of the sound made with the mechanical shutter.
ELECTRONIC SHUTTER SOUND: Printed with the mechanical-shutter icon: which sound plays with the mechanical shutter.
ELECTRONIC SHUTTER VOLUME: Printed in the manual with the mechanical-shutter icon: volume of the sound made with the mechanical shutter.
ELECTRONIC SHUTTER SOUND: Printed with the mechanical-shutter icon: which sound plays with the mechanical shutter.
PLAYBACK VOLUME: Volume for movie playback.
4ch AUDIO PLAYBACK: Which audio you hear when playing back four-channel movies.

SCREEN SETTING

VIEW MODE SETTING: How the eye sensor switches between the viewfinder and the LCD. Tip: EYE SENSOR + LCD IMAGE DISP. keeps the LCD off while shooting. Big battery saver.
EVF BRIGHTNESS: Automatic, or manual from −7 to +5.
EVF COLOR: Viewfinder saturation.
EVF COLOR ADJUSTMENT: Fine-tunes viewfinder color.
LCD BRIGHTNESS: Monitor brightness.
LCD COLOR: Monitor saturation.
LCD COLOR ADJUSTMENT: Fine-tunes monitor color.
IMAGE DISP.: How long pictures show after shooting. Recommended: OFF. Tip: Stay in the moment like on a film camera.
AUTOROTATE DISPLAYS: Rotates indicators to match camera orientation.
PREVIEW EXP./WB IN MANUAL MODE: Exposure and white balance preview in M mode. Tip: PREVIEW WB when shooting with flash.
NATURAL LIVE VIEW: ON shows a flat view without film simulation or white balance. Recommended: OFF.
F-Log VIEW ASSIST: Normal-contrast preview (BT.709) for F-Log footage.
ELECTRONIC LEVEL SETTING: Settings for the virtual horizon.
FRAMING GUIDELINE: Framing grid type. Turn it on in DISP. CUSTOM SETTING.
SURROUND VIEW: How the area outside a crop (aspect ratio or digital teleconverter) is shown. Also on the control lever, pulled toward the grip. Tip: SEMI-TRANSPARENT shows what is about to walk into frame, like a rangefinder.
AUTOROTATE PB: Rotates vertical pictures in playback.
PLAYBACK MAGNIFICATION: How far playback zooms when you press the center of the rear command dial. Tip: ACTUAL SIZE (FROM FOCUS POINT) checks focus on 102MP files in one press.
FOCUS SCALE UNITS: Units for the focus distance indicator.
DUAL DISPLAY SETTING: What the two windows of the dual display show: a close-up of the focus area and the whole frame, either way round.
DISP. CUSTOM SETTING: Chooses indicators on the standard display: grid, histogram, level and more.
LARGE INDICATORS MODE(EVF): Bigger indicators in the viewfinder.
LARGE INDICATORS MODE(LCD): Bigger indicators on the LCD.
LARGE INDICATORS DISP. SETTING: Which items show in large indicators mode.
INFORMATION CONTRAST ADJ.: Contrast of on-screen information.
LOCATION INFO: Shows location from your phone.
Q MENU BACKGROUND: Photo quick menu background.
Q MENU BACKGROUND: Photo quick menu background.

BUTTON/DIAL SETTING

FOCUS LEVER SETTING: What pressing and tilting the focus stick do.
FOCUS LEVER SETTING › PUSH: What pressing the focus stick does. Recommended: RESET TO CENTER.
FOCUS LEVER SETTING › TILT: What tilting the focus stick does.
EDIT/SAVE QUICK MENU: Chooses the photo Q menu tiles. Shortcut: hold Q. Tip: Put your recipe ingredients here.
EDIT/SAVE QUICK MENU: Chooses the photo Q menu tiles. Shortcut: hold Q. Tip: Put your recipe ingredients here.
FUNCTION (Fn) SETTING: Assigns roles to the function buttons and touch swipes. Shortcut: hold DISP/BACK. Tip: Popular: AEL/AFL to AF-ON, Fn2 to face detection, swipe up for ND.
COMMAND DIAL SETTING: Assigns shutter speed, aperture, exposure compensation or ISO to the dials. Shortcut: hold the front dial.
S.S. OPERATION: OFF disables shutter speed fine-tuning with the command dials.
COMMAND DIAL DIRECTION: Which way each dial turns for higher values.
SHUTTER AF: Whether half-pressing the shutter focuses. Tip: Set both OFF with AEL/AFL as AF-ON for back-button focus.
SHUTTER AF › AF-S: Half-press focuses in AF-S.
SHUTTER AF › AF-C: Half-press focuses in AF-C.
SHUTTER AE: Whether half-pressing locks exposure. Select OFF to meter each frame of a burst.
SHUTTER AE › AF-S/MF: Half-press locks exposure in AF-S and MF.
SHUTTER AE › AF-C: Half-press locks exposure in AF-C.
SHOOT WITHOUT CARD: Lets the shutter fire with no card inserted. Recommended: OFF.
FOCUS RING: Direction to turn to focus farther.
FOCUS RING OPERATION: NONLINEAR follows turning speed; LINEAR moves the same amount per degree.
FOCUS RING OPERATION: NONLINEAR follows turning speed; LINEAR moves the same amount per degree.
CONTROL RING SETTING: What the control ring on the lens does: white balance, film simulation, or nothing. With the focus mode selector on M it only focuses. Pull and hold the control lever toward the lens to change it. Tip: FILM SIMULATION lets you switch looks without taking your eye from the viewfinder.
AE/AF-LOCK MODE: Lock while held, or toggle.
AWB-LOCK MODE: How an AWB-lock button behaves.
APERTURE RING SETTING (A): With the ring on A, the camera or the front dial sets aperture.
Fn1 BUTTON SETTING: What Fn1 does in playback.
TOUCH SCREEN SETTING: Touch, double-tap, swipe and viewfinder touch-area settings.
TOUCH SCREEN SETTING › DOUBLE TAP SETTING: Double-tap to zoom while shooting.
TOUCH SCREEN SETTING › TOUCH FUNCTION: Swipe gestures.
TOUCH SCREEN SETTING › EVF/OVF TOUCH SCREEN AREA SETTINGS: Part of the LCD that responds to touch while you use the viewfinder. Recommended: RIGHT HALF.
LOCK: Locks controls against accidental changes.
LOCK › LOCK SETTING: What gets locked.
LOCK › FUNCTION SELECTION: Controls locked with SELECTED FUNCTION. Hold MENU/OK to lock or unlock.

POWER MANAGEMENT

AUTO POWER OFF: Time before the camera turns itself off. Recommended: 2 MIN.
PERFORMANCE: BOOST improves focus and the viewfinder at the cost of battery life (about 680 shots instead of 820 on the screen); choose what it prioritizes: focus speed, focus in low light, viewfinder resolution or a smoother viewfinder. Recommended: NORMAL.
SHOOTING STAND BY MODE: How long the camera waits with no operation before going into standby to save power.
AUTO POWER SAVE: Drops the display frame rate after a short idle period to save power; touching a control restores it.
AUTO POWER OFF TEMP.: HIGH extends recording as the camera warms. The body gets hot.

SAVE DATA SETTING

FRAME NO.: Continue file numbers across cards, or restart at 0001. Recommended: CONTINUOUS.
EDIT FILE NAME: Changes the file name prefix.
EDIT FILE NAME › sRGB: Four-letter prefix, default DSCF.
EDIT FILE NAME › Adobe RGB: Three-letter prefix after an underscore, default _DSF.
CARD SLOT SETTING: How the two SD (UHS-II) slots are used for stills: fill one card then the other, record every picture to both, or RAW to slot 1 and JPEG/HEIF to slot 2. Tip: BACKUP for paid jobs, so a failed card loses nothing.
SELECT SLOT(xSEQUENTIAL): Which card is filled first when CARD SLOT SETTING is SEQUENTIAL.
SELECT FOLDER: Creates and chooses folders.
SELECT FOLDER › CREATE FOLDER: Make a folder with a five-character name.
COPYRIGHT INFO: Embeds your name and copyright in every picture. Tip: Set this on day one.
COPYRIGHT INFO › DISP COPYRIGHT INFO: View current info.
COPYRIGHT INFO › ENTER AUTHOR'S INFO: Enter your name.
COPYRIGHT INFO › ENTER COPYRIGHT INFO: Enter the copyright holder.
COPYRIGHT INFO › DELETE COPYRIGHT INFO: Remove it from future pictures.
IPTC: IPTC metadata (captions, credits, keywords) for new photos.
IPTC › EMBED IPTC: Writes the registered IPTC data into new photos.
IPTC › EDIT/CHECK: Enter or review the IPTC data.
IPTC › RESET: Deletes the registered IPTC data.
GEOTAGGING: Embeds location from your paired phone.

NETWORK/USB SETTING

Bluetooth/SMARTPHONE SETTING: Pairing with FUJIFILM XApp, auto transfer and clock sync.
AIRPLANE MODE: Turns off all wireless radios.
NETWORK SETTING: Wireless network setup.
Frame.io Camera to Cloud: Uploads files to Frame.io.
CONNECTION MODE: What happens when you connect to a computer over USB. Tip: USB WEBCAM turns the GFX100RF into a webcam.
USB POWER SUPPLY/COMM SETTING: Power delivery or data over USB-C.
INFORMATION: MAC and Bluetooth addresses.
RESET NETWORK/USB SETTING: Resets network and USB settings.

MOVIE SETTING (movie)

MOVIE SETTING LIST: Shows all current movie settings. Also reached with DISP/BACK from the movie quick menu.
MOVIE MODE: Pick the frame size and aspect ratio, then press right for the frame rate. 4K and DCI 4K go up to 29.97P; Full HD up to 59.94P. Tip: 4K 16:9 at 24P for a cinematic look.
SELF-TIMER: Delay before recording starts.
MEDIA REC SETTING: Destination (either SD slot, both, a USB SSD or HDMI only), file type and compression, and bit rate.
MEDIA REC SETTING › DESTINATION: Record to one SD card and continue on the other when it fills, to both cards at once, to an SSD on the USB-C port, or only to an HDMI recorder.
MEDIA REC SETTING › FILE TYPE/COMPRESSION: H.264 is 8-bit and the most compatible (MP4 suits the web). H.265 is 10-bit with stronger compression; 4:2:2 keeps more color. ALL-I files are bigger but easier to edit. ProRes records only to a USB SSD. Tip: H.265 LongGOP 422 MOV keeps the most color without huge files.
MEDIA REC SETTING › BIT RATE: Higher bit rates keep more detail and make larger files. Choices depend on the movie mode and compression.
HDMI OUTPUT SETTING: Settings for an HDMI monitor or recorder.
HDMI OUTPUT SETTING › HDMI OUTPUT INFO DISPLAY: Mirrors camera display info on the HDMI device.
HDMI OUTPUT SETTING › HDMI REC CONTROL: Sends start/stop signals to the HDMI recorder.
F-Log/HLG RECORDING: Records with a film simulation, or in F-Log or F-Log2 for grading. Separate choices for the card and an HDMI recorder (for example film simulation on the card, F-Log2 to the recorder). Tip: Turn on F-Log VIEW ASSIST in SCREEN SETTING when shooting F-Log.
DATA LEVEL SETTING: Signal range: video (16–235 / 64–940) or full (0–255 / 0–1023).
PHOTOMETRY: Same choices as for stills, set separately for movies.
FLICKERLESS S.S. SETTING: Fine shutter speed steps to match LED flicker.
IS MODE: There is no in-body stabilization: DIS is digital stabilization, which crops in slightly. OFF for tripod work.
IS MODE BOOST: ON for shots with no panning, OFF for panning.
ZEBRA SETTING: Shows stripes over highlights that may be overexposed. Tip: ZEBRA at 95 warns you just before skies clip.
ZEBRA LEVEL: Brightness at which zebra stripes appear.
WAVEFORM/VECTORSCOPE: Shows a waveform (brightness), RGB parade or vectorscope (color) while you film. Move and resize it with the focus stick and command dials. Tip: WAVEFORM is the most reliable way to judge F-Log exposure.
MOVIE OPTIMIZED CONTROL: Adjust movie settings with only the command dials and touch screen, keeping dial clicks off the audio. Tip: Lets you set shutter, aperture and ISO independently of the top dials.
REC FRAME INDICATOR: Red border while recording, green in high-speed recording.
TALLY LIGHT: Which lamps (rear indicator, front AF-assist) light or blink while recording. Tip: FRONT ON lets people in front of the camera see you are recording.
SELECT CUSTOM SETTING: Movie custom banks, separate from the photo banks.
EDIT/SAVE CUSTOM SETTING: Save and edit movie custom banks.
AUTO UPDATE CUSTOM SETTING: Whether changes save into the active movie bank automatically.
ND FILTER: Built-in 4-stop ND filter. Shared with the photo menus. Tip: Use it to keep a 180° shutter (1/50 at 24P) in daylight.

AUDIO SETTING (movie)

INTERNAL MIC LEVEL ADJUSTMENT: Recording level of the built-in microphone. MANUAL offers 25 levels.
EXTERNAL MIC LEVEL ADJUSTMENT: Recording level for an external microphone. MANUAL offers 25 levels. Tip: Set a manual level so the camera does not pump up background noise between sentences.
MIC LEVEL LIMITER: Reduces distortion from sounds that are too loud for the mic circuits. Recommended: ON.
MIC JACK SETTING: Choose MIC for a microphone plugged straight in, LINE for an audio device with line output.
WIND FILTER: Reduces wind noise. Tip: Turn ON outdoors with the built-in mic.
LOW CUT FILTER: Reduces low-frequency rumble.
HEADPHONES VOLUME: Headphone volume. 0 mutes the output.
MIC/REMOTE RELEASE: Whether the 2.5mm jack is used for a microphone or a remote release.
XLR MIC ADAPTER SETTING: Settings for an XLR microphone adapter. Four-channel audio needs a MOV file type.
XLR MIC ADAPTER SETTING › MIC INPUT CHANNEL: Record four channels (XLR adapter plus the built-in mic) or two channels from the XLR adapter only.
XLR MIC ADAPTER SETTING › 4ch AUDIO MONITORING: Which source you hear in the headphones while recording.
XLR MIC ADAPTER SETTING › HDMI 4ch AUDIO OUTPUT: Which source is sent to the HDMI connector.

TIME CODE SETTING (movie)

TIME CODE DISPLAY: Shows time code during recording and playback.
START TIME SETTING: Start time for the time code.
COUNT UP SETTING: Count only while recording, or continuously. Tip: FREE RUN helps sync several cameras.
DROP FRAME: At 29.97P and 59.94P, drops frame numbers to keep time code matching real time.
HDMI TIME CODE OUTPUT: Sends time code to HDMI devices.
TIME CODE SYNC. SETTING: Syncs time code with an ATOMOS AirGlu BT over Bluetooth. While connected, the camera cannot link to a phone.
TIME CODE SYNC. SETTING › CONNECT TO ATOMOS AirGlu BT: Connects to the paired AirGlu BT and syncs time code.
TIME CODE SYNC. SETTING › PAIRING REGISTRATION: Pair the AirGlu BT with the camera.